OUT OF THE PICTUREAnatomy, omission & rearrangement
1543 → 1545 → NOW
01–39 / Complete comparison catalogue
An archive of changes.
All 39 groups from the comparison reference, in the same numbered sequence. Open a group to see every source page alongside its Geminus plate, then inspect or extract a detail.
39 records
Images retain their proportions. Display size is not physical object scale.39 groups · 107 source-page connections · 4 with details under review
Record 01 / 39
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Background
Export this image area with its current blend and position.
Scanning borders removed · original page proportions retained
Comparison from the reference
Selected study crop
Pages are fitted independently, not shown at a shared physical scale. Overlay begins at page centres; it is an exploratory view. Paper tone and colouring belong to these particular copies. An inscription absent from a plate is not necessarily absent from the book.
A table for provisional relationships
Place things beside things.
Drag, resize and rotate original-image fragments. Each fragment keeps its source record and crop coordinates. The opening arrangement contains six study crops from the archive.
Drag a fragment to move it. Use + to enlarge the board, or Edit selected to resize, rotate and trace a fragment. The board is saved in this browser when available. “Save arrangement” keeps an editable copy.
Research / method / provenance
What is outside the picture?
A body has a position. So does everything around it.
This archive begins with a comparison between anatomical images published by Andreas Vesalius in 1543 and their adaptations by Thomas Geminus in 1545. It asks what happens to our reading of the body when its surroundings change.
Geminus redrew and rearranged images from Vesalius’s works, translating woodcuts into separate copperplate engravings. Selected landscapes and inscriptions disappear; supports remain; figures from different pages are brought together.
The next act of editing belongs to this project: selecting, cutting and repositioning fragments. Each crop remains connected to its source, so that the act of extraction can be read alongside what it leaves behind.
SourceComparisonFragmentNew context
Research and design: Tao. An independent study; not affiliated with the holding institutions. This edition contains all 39 numbered comparison groups, 39 NYPL reference images, 38 additional Wellcome scans and 105 distinct Vesalius source scans (107 source-page connections). Four groups include small figures whose sources remain partly unconfirmed. The title page and the skeleton corresponding to Fabrica p. 165 are outside this selection.
Copies & collections
REFERENCE / 39 GROUPS
Complete comparison reference
The 39 numbered groups and every listed source page are reproduced in this archive. Record numbers follow the reference PDF; groups 19, 22, 24 and 28 retain their unresolved-detail notes.
De humani corporis fabrica libri septem. Basel: Johannes Oporinus.
Universitätsbibliothek Basel, UBH AN I 15. Digitised by e-rara. The Fabrica images here reproduce this particular copy, including its colouring. The two Epitome scans are from Wellcome Collection.
Compendiosa totius anatomie delineatio. London: John Herford.
All 39 NYPL images reproduced in the comparison reference are included. For 38 plates, a larger scan from the Wellcome Collection copy is also available through the copy selector. Each image is labelled with its actual collection. The vena cava plate currently has a NYPL reference only.
Black scanning borders have been removed from the displayed pages. Original scans remain linked in the source records. Paper colour and colouring are features of these copies and reproductions. They are considered separately from changes to the composition. “Scan” identifies a digital image; “p.” identifies a printed page.